Drawing in response to original soundtrack

Performed on the 18th and 21st of April 2022

Exploring the variety of sounds that mark making creates when recorded through a contact microphone and how that affects my movements and mark making when responding to them.

A performance in two stages: first, creating a drawing while focused on the recording device; second, using automatic movement to respond to an avant-garde soundtrack composed by April Curd from the previously recorded mark making.